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Anteism is a Canadian publisher working with galleries and artists to produce unique art books. Our blog showcases the books we produce and the artist books we love!

Us Ones In Between @ Open Space

us_ones_in_between

An art exhibition curated by Nick Robins. Featuring the work of: Ty Danylchuck, Caitlin Gallupe, Cody Haight, Liam Hannah-Lloyd, Cameron Kidd, Brooke Semple-Haight, Eden Veaudry and Eric Volet.

Us Ones In Between explodes with the activity of eight prolific Victoria artists whose profusion of output appears unlinked to careerist objectives. With bee-like instinct, these artists have produced striking visual cornucopia, while sketching out their place in other art contexts outside of the studio/hive. Working in media ranging from paint, paper and assemblage to crochet and video, Open Space will be filled to the brim with fustian colour. Us Ones In Between is a celebration of a niche community and an examination of art practice in Victoria, today.

Anteism will be publishing a book for the event which will document the artwork of the artists in the exhibition + a foreward by curator Nicholas Robins and essay by Marlaina Buch.

ART JAMS EVERY TUESDAY IN JULY AT 8PM July 7: Releasing THe Lions Artist Panel Discussion

July 14: Free Form Cinema Film Screenings by Ty Danylchuk

July 21: Psychodoolia Drawing Jam

Closing Friday July 24, 8pm featuring Tough Stuff from the Buff: experimental & activist video from the fringes of Buffalo, NY. http://tuffstuffbuff.wordpress.com/ followed by dance party with DJ Gardeners

Brain Trust Artshow @ Magic Pony, Toronto

BRAIN TRUSTAn exhibition of artwork from the book Brain Trust - by Peter Thompson and James Kirkpatrick

Brain Trust Sample Pages

Opening Reception: Thursday, June 25 from 7-10pm Artists will be in attendance Location: Magic Pony 694 Queen St. West Toronto, ON, Canada 416-861-1684

Exhibition Dates: June 22 - 28, 2009

Event Description: A showcase of artwork from the book Brain Trust, by Peter Thompson and James Kirkpatrick (aka Thesis). Both hailing from London, ON, James and Peter are a dynamic artist duo focused primarily drawing and collage. Their artwork has a non-linear narrative that incorporates a psuedo comic-book aesthetic and multiple references to pop culture. Collaboration is a major part of their creative process and they rarely do commercial projects, choosing instead to continually experiment with spontaneous drawing practices and installation work.

Brain Trust is a compilation of collaborative drawings and paintings produced by the prodigious pair. It contains a foreward by Marc Bell and introduction by Paul Bright, and features art collaborations with Marc Bell, Beau Labute, Jason McLean, Nicholas Di Genova, Jennifer Robertson, Steph Davidson, Steve Debruyn and Rosie Cook.

Book Details: 8.5 x 8.5 inches. 96 pages. Edition of 1000. Printed and bound in Canada by Anteism.

Press Inquiries: Please send an e-mail to contact@magic-pony.com

Keith Jones @ Hunter & Cook Gallery

Keith Jones at Hunter and Cook Gallery in Toronto, June 5, 2009. Comic extravaganza - and garbage. Camera: Jeremy Bailey  / Editor: Ryan Edwards / Host: Nadja Sayej

Keith Jones makes more garbage than Fisher Price, in a good way. His drawings look like an apocalypse after a nuclear toybox explosion. Gasmasked survivors running around stealing hub caps and rummaging through the crap. Stray animals seem to be less concerned with all the odds and ends than the freak humans. I've noticed Keiths artwork as a timeline to Nobodyland. His earlier work had people driving around in their cars and everything was relatively normal. Then one day, I don't know when, shit hit the fan so to say. And there was garbage eveywhere. In the begining people seemed to get along because they had all the crap they needed around them. As time progresses in Nobodyland human nature rears it's ugly head and the guns come out. I'm not sure what everyone is fighting about, maybe they're clausterphobic? What's the next step after humans blow the shit out of each other?The word on the street is the animals are gaining strength...

Hunter and Cook also publishes a great big art magazine, which is published three times a year. Here's a list of places where you can buy it

Polychrome Fine Arts

polychrom_fine_arts

Victoria has a new gallery called Polychrome Fine Arts.

"SHAWN SHEPHERD AND MARY PATTERSON CONCEIVED POLYCHROME FINE ARTS & PUBLISHING CO. AS AN OUTLET FOR THE PRODUCTION, EXHIBITION, SALES AND DISTRIBUTION OF FINE ART. WE ALSO OFFER CUSTOM PICTURE FRAMING AS WELL AS ART RELATED MERCHANDISE."

The first show in the gallery is titled HOBNOB and runs from June 14 - Aug 30 HOBNOB, will offer an eclectic mix of paintings, sculpture, prints and merchandise by the following artists: Levi Amidlak, Frederic Marlett Bell-Smith, Lissa Calvert, Charles Campbell, DRFR, Miles Eldredge, David Gifford, Roy Green, Doug Jarvis, Flemming Jorgensen, Michael Lewis, James Lindsay, Jeff Maltby, Brian MacDonald, J McLaughlin, Nadine Ozubko, Brock Radelet, Philip Robinson, Phyllis Serota, Shawn Shepherd, Isa Smiler, Adrienne Traviss, Douglas Wilson, Sarah Qittusuk

POLYCHROME FINE ARTS GALLERY IS LOCATED AT 1113 FORT ST VICTORIA BC CANADA V8V 3K9. HOURS OF OPERATION: WEDNESDAY - SATURDAY 10-6PM AND SUNDAYS 12-6PM

Other - Stolen Land + Upcoming Book!

"Other" Artist - Aka. Troy Lovegates

Wander-lust ridden graffiti artist, Other, has scrawled, spray-painted, and pasted his beautiful, highly detailed, and often solemn-faced characters on the walls and doorways of buildings around the world. His work has mysteriously appeared in such distant places (far from his native Canada), as, Berlin, Paris, Barcelona, Bucharest, Fez, and Lima, Peru. However, it is on the elusive freight trains of the extensive North American railroad system that the majority of his imagery is on display. It is a rare treat to have a large collection of the artist’s work assembled in one location.

"Other" Artist - Aka. Troy Lovegates

These photos are from Other's show late last year at Needles and Pens Gallery in San Fransico. Check out more photos from the show.

"Other" Artist - Aka. Troy Lovegates

Anteism is excited to announce that we will be releasing a limited edition book of Other's work. You can look forward to it Fall 2009. More info to come.

Scott Malin - Three Strikes on the Brow

Scott Malin - Art Show

Scott Malin's upcoming art show "Three Strikes on the Brow" will be opening the evening of Friday, June 5 from 6:00-9:00. at Strathcona's Red Iron Gallery, 884 East Georgia (@ Campbell). As an added incentive, there will be wine, beer, and oolong tea. If you can't make it on Friday, Scott will be gallery sitting on Saturdays/Sundays from 11:00-4:00 until Sunday, June 28.

Three Strikes on the Brow, features 33 new straight-to-ink drawings united by the theme "three". There will also be select sketchbooks for viewing, prints and ceramics featuring sketchbook images, and new zines.

Anteism @ Toronto Comic Arts Festival

Anteism Publishing will be sharing a table with Peter Thompson and James Kirkpatrick at the upcoming Toronto Comics Arts Festival. Come by and say hi, it's free to get in and we will be feeling lonely in the big city. There are ton of awesome artists and publishers attending. "The Toronto Comic Arts Festival exists to promote the breadth and diversity of comics, and what is considered comics, as legitimate medium of literary and artistic worth. We seek to promote the creators of these works in their broad and diverse voices, for the betterment of the medium of comics and to reach as wide an audience as possible for them."

The fourth Toronto Comic Arts Festival will occur on Saturday May 9th and Sunday May 10th, 2009. It will be held in the Toronto Reference Library, in downtown Toronto, Canada.

THE 2009 TORONTO COMIC ARTS FESTIVAL Saturday May 9th , 10am-5pm Sunday May 10th, 11am-5pm Toronto Reference Library, 789 Yonge St., Toronto, Canada

LANDMARKS: Exhibition

LandmarksLANDMARKS OPENS THIS FRIDAYExhibit opens Friday, April 24th at Olio Cooperative (7:00pm, by donation).

Come and join us in the exploration of the art of spatial expression, this Friday, April 24th.

Cartographic art has been an established trade for centuries. Maps allow us to see real places in new ways and from different angles or to create worlds that are only dreamed of. LANDMARKS presents interpretations of the political, social, and physical realities and ideologies of our space and place.

LANDMARKS aims to present the capacity of maps beyond demonstration of static location.  The exhibit will feature works by Raymond Biesinger, Betty Ann Lampman, Sean McLaughlin, Julie Bentz, Joey MacDonald & Caitlin Gallupe, each demonstrating their own expression of cartographic relation.

Exhibit open Friday, April 24th at Olio (7:00pm, by donation). 614 1/2 Fisgard Street, Victoria. We'll be hosting a day long Risk tournament Saturday, May 2nd, starting at noon sharp, as part of the show.  Get in touch to register.

the Art of Voting: Premier Portraits

the Premier Portrait Project

: call for entries

Mar. 7, 2009 - Apr. 20, 2009

As part of Studio 16 1/2's exhibition "the Art of Voting: election propaganda and other provincial themes" the Premier Portrait Project will put in context the 2009 BC provincial election, using artistic renditions of former leaders provided by members of the local electorate.

Studio 16 1/2 is currently seeking thirty-four artists willing to produce a portrait of a past (or in one case present) Premier of British Columbia.

Each participating artist will create a single 8x10 rendition of a premier of their choice (photographic reference material supplied by the studio. One premier per artist; first come, first serve). Completed pieces will be displayed in the gallery during our upcoming exhibition "Election Propoganda and other provincial themes", April 30 - May 31, 2009.

Please send us an email naming the premier of your choice, plus a few samples of work representative of your style. (see below for a list of premiers already claimed, and the artists who claimed them...)

We regret that not all applications will result in an assignment, but please contact us anyway! See gallery of British Columbia's Past Premiers

Confirmation Deadline: April 12, 2009 Art Submission deadline: April 24, 2009

Premier / Artists:

• "Amor de Cosmos" - Kirsten Wright • "George Anthony Walkem" - brent bouchard • "Robert Beaven" - Amy Rubin • "Andrew Charles Elliott" - Gary Pearson • "William Smithe" - shaw smith • "Alexander Edmund Batson Davie" - Nel Kwiatkowska • "John Robson" - Leif Parker • "John Herbert Turner" - Ben Westergreen • "Charles Augustus Semlin" - Clayton Hall • "James Dunsmuir" - Cat Thom • "Edward Gawler Prior" - Mike Macdonald • "Harlan Carey Brewster" - Keri Coles • "John Duncan MacLean" - Caleb Beyers • "Simon Fraser Tolmie" - Faro Sullivan • "John Oliver" - Miles Hastings Elderidge • "John Hart" - Judee Doyle Stevenson • "Byron Ingemar Johnson" - Alexis Celona • "WAC Bennett" - Ben van Netten • "David Barret" - Lon Granger • "Bill Vander Zalm" - Kim Sinclair • "Rita Johnston" - Sarah Amos • "Mike Harcourt" - Nicolas Robins • "Arthur Dan Miller" - Judy McLaren • "Ujjal Singh Dosanjh" - Robert Amos • "Gordon Campbell" - Gareth Gaudin • "Glen David Clark" - Ryan Thompson

Landmarks Exhibition: Olio / Victoria

Landmarks Exhibition - Victoria, BC I am excited to be taking part in an upcoming exhibition at the newly established Olio Co-operative in Victoria, British Columbia. There is currently a call for submissions. If your interested in maps and would like to be involved in this exhibition read the following.

Call For Submissions: "Landmarks: Exploring geography, relation and mapping one's surroundings & self"

Landmarks will explore the practical art of spacial expression, physical and personal location and relation, and interpretations of cartography.  We're looking for any artists with a passion for mapping, in whatever form that might take, to submit works for the exhibition.  Please get in touch with us at admin [at] oliocooperative.ca for complete abstract and details (please send examples of your work).  Artists invited to take part will be offered studio time and access to printing equipment for their pieces.  Exhibit open Saturday, April 24th at Olio (7:00pm, by donation).

We'll be hosting a day long Risk tournament Saturday, May 2nd, starting at noon sharp, as part of the show.  Get in touch to register.

Olio Screenprinting Co-op | Grand Opening

olio-grand-opening-mar-21-09-web

Hello! I hope you're well & in good health.  It is with great excitement that we at the Olio Artists & Workers Cooperative at last announce the grand opening of our cooperative work and exhibition space.  You are cordially invited and encouraged to attend our Grand Opening!  We will be opening our doors to the public Saturday, March 21st, with free screen printing workshops for all levels beginning at noon, followed by an evening open house from 7:00pm onward.  Please find attached invite & press release.

Located at 614 1/2 Fisgard (2nd floor), the newly renovated studio is a publicly accessible work/exhibition space for artists of all disciplines.  Members of the Olio Cooperative are able to book studio time at a subsidized rate ($5/hour, $15/month for membership) which allows them dedicated studio time in a clean, quiet environment, as well as use of the extensive cooperative screen printing, print making and button press equipment.

The studio will be open from noon onward offering free screen printing courses throughout the day (introduction, advanced and poster printing courses), tours of the space and use of the screen printing equipment (when not in use by instructors) free of charge.  From 7:00pm onward, we will be hosting an advance viewing of Recent Works by Calvin Coles (opens March 27th) with ample refreshments and entertainment.  All for freaking free.

When: Saturday, March 21st Where: Olio Artists & Workers Cooperative 614 1/2 Fisgard st. (At Government, 2nd floor) What: Olio Grand Opening!, featuring free screen printing courses and an advance viewing of Recent Works by Calvin Coles Time: Courses begin at noon, 2:00pm & 4:00pm, evening open house being at 7:00pm Admission: Free/by donation Info: To register for courses (recommended) contact admin[at]oliocooperative.ca or call 250.896.5679. For membership inquiries, please contact Amy Wilson at membership[at]oliocooperative.ca

Thanks so much!  See you there!

- Olio

Steven Harrington - Interview

Steven Harrington from Arkitip, Inc.

Harrington's work is influenced by Time-Life Encyclopedias 1965-1972, thrift stores and the 60s pysch sounds of The Moody Blues, his art might be termed 'contextual objectivism'.

"Our Mountain", is a traveling art experience with works by Steven Harrington and Justin Krietemeyer.  The exhibit will start in Paris then travels on through Barcelona, Milan and Berlin.

James Kirkpatrick - Foolish Mortals

james_kirkpatrickkirkpatrick_textkirkpatrick_image2 James Kirkpatrick has a show coming up at Studio 21 entitled "Foolish Mortals" which is a series of new paintings. Check out James' collaborative work with Peter Thompson in our newly released book Brain Trust.

"I have recently revisited science fiction and adventure comics of the 50's, 60's, and my childhood in the 80’s. This return to what originally gave me the urge to create art has sparked in me the initiative to once again make my own comics, and to create figures with possible identities and histories.

Looking at my collection of old graphic novels, I was reminded of my attraction to the quickly done line work and mistaken colour placement that appears on less important characters in the background of older comic panels. I would watch for errors and often correct or alter the comic with pen and pencil crayon, as if these mistakes gave me permission to participate with the author. In my mind I was helping out—putting on the finishing touches and completing the visual language of the story. The majority of the paintings for Foolish Mortals began with drawings based on figures and characters from my own comics, new and old. In the painted representations of these characters I have purposely worked in a manner that copies the imperfect colouring and loose-yet-confident line work I would often consider accidental. In these paintings I have also created marks using pencil and pencil crayon to fill in the details of the figures in a fashion similar to that which I would use in "fixing" comics from my own collection.

Whereas figures and shapes in my previous paintings were defined by allowing the colours and lines to develop through a process of layering and editing, the work in Foolish Mortals gets much more directly to the point with new deliberate colour placement, detailing, and line work. "

-James Kirkpatrick

James Kirkpatrick was born in London, Ontario, and graduated with a BFA from NSCAD University in Halifax, Nova Scotia in 2002. He has taken part in many exhibitions as both artist and curator, nationally and internationally from Ontario to Quebec and California to New York. His work is in numerous private and public collections, and commissions include: Buck 65: Synethesia, Album cover art, Endemic Music, Halifax, NS., Interior Mural, P.R.S. DJ Services, London, ON., and Lower Haight Banner Project, Upper Playground, San Francisco, CA. His most recent achievement is an artist residency that will take place at Struts Gallery in New Brunswick.

Randy Laybourne - 20x20 Series & Show

Randy Laybourne has an upcoming show entitled 20x20, which is a series of 20 water color paintings done at 20"x20". Here is a time lapse video of Randy creating #16.

Here is a posting from Laybourne's blog describing his influences for the 20x20 show. When I was 20 years old I was able to backpack and skateboard around Europe, going as far east as the middle of Turkey and as far north at Gdansk in Poland. During the trip I tried to get to every gallery and museum I could afford to see. Being able to see a lot of the masterpieces of art was amazing but there were particular artists that had a big impact.

Bosch was one of them. Being able to see “The Garden of Earthly Delights” in Madrid was mindblowing. I stood there for what seemed hours. Trying to take in all the detail. Most other artwork in any museum I’d count to 10 and move on. Picasso 10, 9, 8… David 10, 9, and so on and on and on. Not with Bosch though.

Garden of Earth Delights (center panel)

Garden of Earth Delights (center panel)

Garden of Earthly Delights (center panel detail)

Garden of Earthly Delights (center panel detail)

Garden of Earthly Delights (right panel)

Garden of Earthly Delights (right panel)

Garden of Earthly Delights (right panel detail)

Garden of Earthly Delights (right panel detail)

I mainly was and am interested in his way of creating different visions of heaven, earth and hell. All his little demons and monsters are fascinating and there is so much to look for and read into.

Pieter Brugel was equally impressive to me. The influence of Bosch on Brugel is clear but Brugel goes a different route and along with vision of hell, he shows what life was like in a village. Full of entertaining details and stories.

bruegel_01

bruegel_02

Netherlandish Proverbs

Netherlandish Proverbs

Netherlandish Proverbs info

Netherlandish Proverbs info

The Netherlandish Proverbs illustrated sayings of his day visually and every little thing had a meaning. Wikipedia shows them all. So am still so amazed with all of it.

The Triumph of Death

The Triumph of Death

The Fight Between Carnival and Lent

The Fight Between Carnival and Lent

The amount of little things that have to do with a story or meaning is what drew me in then and what still makes me go over the work of both artists.

With the 20X20 work, they didn’t start off with tons of detail but as I kept going and finishing one after another, some similar, quiet narratives were coming to life. There are a few things from my life directly in the work, but I’d much rather have the viewer find little meanings on their own. As I kept going with the series, they were getting more and more complicated and taking a bit longer to do. I kept going back to review the works of Bosch and Bruegel as the series was being done. I’m glad I was able to see their actual work (way back in the 90s) and have it make its mark on my own in some simple way.

Swoon's Swimming Cities of Switchback Sea

In the early evening on Sunday, September 7th, seven hand made boats, or more precisely, seven floating sculptures by Swoon,  docked in front of Deitch Studios on the East River in Long Island City. Their arrival at Deitch Studios was the final stop on a three-week journey down the Hudson River and around the tip of Manhattan. The seven boats, built by Swoon and her friends from scrap wood and other discarded materials, begin their sail down the Hudson River on August 15th in Troy, New York, stopping along the way for musical and theatrical performances. Swimming Cities of Switchback Sea is a two-part exhibition merging Swoon’s recent portraits, found objects of urban decay and a floating sculptural city. One part of the exhibition is on the water. The other is in the gallery. As the seven boats dock in front of Deitch Studios, they will be tethered by ropes to the skirts of a twenty-five foot high paper sculpture of two sisters embracing, the central image of the indoor portion of the show. The image of the Switchback Sisters came to Swoon in a dream when she was worried about the rising waters when her first set of boats was floating down the Mississippi River two years ago. She envisioned a woman who would gather the boats into a safe haven under her skirts.

Swoon’s indoor installation, in the large cathedral like space of Deitch Studios, is divided into two levels, above and below an imaginary flood line. She imagines that if the water of the East River were to rise, her boats could float into the shelter of the gallery space. The imagery on the walls is drawn from the sea and from the mangrove swamps that the artist explored in her Florida youth. She is inspired by the way the trees in the mangrove swamps send out huge networks of roots, both below and above the water, creating two parallel ecosystems. Above the imaginary waterline, Swoon has created the image of a city rising from the sea. The parallel narratives of the exhibition represent a convergence of her life on the river and her life as a street artist in New York City.

Swimming Cities of Switchback Sea is the result of a year of design and construction and the combined efforts of seventy- five collaborators, working under Swoon’s direction. A crew of forty people will sail the seven boats down the Hudson. During the summer of 2006, Swoon and the Miss Rockaway Armada launched a similar project on the Mississippi River. For this year’s project, Swoon designed and supervised the construction of all the boats herself and will culminate the journey with an ambitious exhibition of her large wooden and paper constructions and her large-scale prints.

Swoon celebrates with a bottle of champagne

Swoon is recognized as one of the most original street artists to emerge in New York during the past decade. Her imagery is both bold and intricate, a unique fusion of figurative and architectural elements. She creates portraits of people who she meets on her travels and inserts them into architectural settings both on the street and more recently in galleries. In her gallery installations, Swoon is able to build her own artistic world, inventing a landscape that intersects with urban decay. Inspired by German Expressionist prints, Indonesian shadow puppets, and dense Asian cityscapes, she uses cut paper to create conceptual explorations of the urban street.

Swoon’s collaborators on Swimming Cities of Switchback Sea include playwright Lisa D’Amour, circus composer Sxip Shirey, Kinetic Steam Works from San Francisco and the band Dark Dark Dark. Performances will take place as the boats dock during their journey down the Hudson River in August and in front of Deitch Studios during the second week of September.

Please see the website www.switchbacksea.org for tour dates and additional information.

Banksy: The Village Pet Store and Charcoal Grill

Banksy (the only "superstar" artist that I know that has continued to live up to the hype) has recently designed a pet shop that includes fish sticks swimming in a fish tank, a chimpanzee watching chimp porn, sleeping leopard that turns out to be a fur coat, chicken McNuggets sipping barbeque sauce and hot dog hamsters. The Village Pet Store and Charcoal Grill is less than 300 square feet and can't hold more than 20 people at any one time. The inspiration for the show came when Banksy witnessed a chihuahua with a diamond collar being walked passed a homeless person. He wanted to bring forth the question why do we spoil some animals and murder others.

More images from Banksy's Village Petstore show.

Banksy recently put up three giant billboards in the Big Apple. All depicting the NYC mascot, one rat sports an "I heart New York" shirt at the corner of Grand and Wooster, another is found whitewashing the wall at Houston and Macdougal and the last rat at Howard and Broadway is holding a briefcase full of money accompanied with text that reads "Let them eat crack." In a statement Bansky comments, "I wanted to play the corporations at their own game, at the same scale and in the same locations. The advantage of billboard companies is that they'll let you write anything for money, even if what you write is questioning the ethics of letting someone write anything because they have money."

Andrew Brandou - Childrens Books & LSD

I could look at the illustrations of Andrew Brandou all day long. Andrew's work is inspired by children’s books and LSD, Charles Manson, and opium dens. Hovering skulls,flowers and storm troopers are recurring images as well as the cute little animals carrying weapons that you find hard to believe could be deadly. Maybe there are no orange bands on the barrel of those rifles for a reason.

© Andrew Brandou

© Andrew Brandou

© Andrew Brandou

"After Audubon" is a series of paintings featuring the work of John Audubon revisited to include Harajuku fashion, vinyl toys and other pop culture icons. Andrew's seamless integration of these pop culture icons is both impressive and hilarious.

© Andrew Brandou

© Andrew Brandou

© Andrew Brandou

Check out more artwork by Andrew Bradou through his online portfolio. If your in or around Portland stop by the allways awesome GrassHut gallery to view some of Andrew's work in person at his current show "From the Funk Drawer"